Some of the latest jaw-dropping images come from NASA astronaut Christina Koch. “Australia. Our hearts and thoughts are with you,” she tweeted, along with images of a massive dust storm making its way across the continent and smoke streaming from bushfires in southeastern Australia.
Meanwhile, Jean-Paul Vernier, a senior scientist at the National Institute of Aerospace at NASA Langley Research Center and the lead of a NASA disasters team responding to the fires, has been using data from the CALIPSO satellite to measure something impossible to discern from an aerial photograph, even one taken from space—the height of the smoke. As we reported earlier, the fires are so intense that they have lifted smoke all the way to the stratosphere, something wildfires do only occasionally. (Usually, volcanoes lift plumes to such heights.)
“The radiative heating from the soot particles within the smoke makes wildfire plumes particularly buoyant, meaning they will reach higher altitudes in the stratosphere and stay there longer than material from a volcanic eruption that reaches the same initial altitude,” Vernier explained.
If you are like me, you have probably fantasized about looking down and photographing Earth while floating in the zero gravity of space.
I suppose I should never say never, but my chances of becoming an astronaut do look pretty slim at this point in my life. But even if I can’t experience space firsthand, I may have have found the next best thing: merged panorama photographs that make me feel like I am up there. NASA astronaut Jeff Williams has been posting short video clips on his social media feeds and the results are stunning.
All of these panoramas were taken while he was orbiting about 250 miles (400 kilometers) above the surface of Earth on the International Space Station. At the time, he was moving about 17,150 miles (27,600 kilometers) per hour. The photos were taken from the Cupola, a dome-shaped module on the Space Station with bay windows that offer panoramic views of Earth. To make the videos, Williams (with help from NASA colleagues on the ground) stitched together several images into mosaics and then used computer software to pan across the mosaic.
I have posted a few of my favorites here: a sunset, the coastline of western Australia, the Andes Mountains, and Cuba’s Gulf of Batabano. Scroll down past the video for a view of one of the raw mosaics and some video of Williams explaining what it is like to take photographs from space. Browse more astronaut photography here and find more of Williams’ photography on Facebook, Twitter, and Instagram. In related stories from the Earth Observatory, learn more about sunsets seen from space, the Andes, and coastal Australia.
Here is how the raw mosaic of the Gulf of Batabano looked.
And here is Williams explaining the cameras he uses and how he makes the merged panoramas.
On March 1, 2016, NASA astronaut Scott Kelly returned to Earth after spending 340 days living continuously in space. That’s a record. No other American astronaut has completed a longer mission or spent more cumulative days in space.
A prolific and talented photographer, Kelly posted hundreds and hundreds of photographs of the Earth below to social media during his flight. In a fitting finale for the record-breaking explorer, one of the last photos he posted from orbit was this hazy blue scene of the Himalayas.
“The Himalayas remind me of the bigger view we see when we conquer the mountains we climb,” he said on Twitter. The tip of mountain Mount Everest is about 8.8 kilometers (5.5 miles) above sea level; Kelly was in orbit about 250 kilometers above sea level. Over the course of the mission, he traveled some 231,498,541 kilometers.
Photographs by Scott Kelly/NASA. Sunrise (upper); sunset (lower).
My colleagues and I spend most of our time looking for stories, images, and data related to the latest and greatest remote sensing science at NASA and beyond. This often leads us to rather technical scientific journals and obscure websites that are hardly known for their artistry.
But every now and then during the course of a workday, we stumble across an image that is simply so gorgeous that we can not resist sharing it. The first image above, tweeted from the International Space Station by astronaut Scott Kelly on January 13, captures the intense, raw beauty of a sunrise with an unforgettable gradient of yellow to red. About eight hours later, he tweeted the second image. “Day 292. Colors of #sunset. #GoodNight from @space_station! #YearInSpace,” Kelly said of the orange, teal, and blue horizontal lines that fade to black.
This was probably not Kelly’s only chance to capture a spectacular sunset and sunrise on January 13. The International Space Station travels at about 17,100 miles per hour, and orbits Earth about every 90 minutes—enough for astronauts to witness 16 sunrises and 16 sunsets each day.
“The sun truly ‘comes up like thunder,’ and it sets just as fast,” said Joseph Allen, an astronaut who logged more than 300 hours in space on the Space Shuttle in the 1980s. “Each sunrise and sunset lasts only a few seconds. But in that time you see at least eight different bands of color come and go, from a brilliant red to the brightest and deepest blue.”
Curious to see more sunsets and sunrises from space? In the image below, see how a sunset reveals different layers of the atmosphere. Learn more about the image here. See several more of Kelly’s sunrise and sunset photographs featured by The Atlantichere.And if you still want more space sunrises and sunsets, check out our archives.
In the process of presenting the answer last Friday (image below), we unwittingly demonstrated a quality-control portion of that ID program.
As you can see, we correctly labeled Nagoya, and then labeled the two cities on the left as Osaka and Wakayama. But as several readers from Japan pointed out, Osaka and Wakayama are farther west, and Kyoto also appears in the scene. Though we had consulted two different sources, maps of Earth at night are still pretty raw and the human eye can be tricked when looking at an unfamiliar landscape.
One of the protocols of the Cities at Night program is to ensure that every image is classified by multiple individuals working separately. It took several NASA staff and several readers to figure out the correct locations in this image. One of the goals of the citizen-science project is to figure out the optimal number of people needed to correctly classify an image. We didn’t intend to be a case study, but that’s what just happened.
Congratulations to Bruce Boucek, a data librarian at Brown University, for being the first reader to correctly identify Nagoya and the Chita peninsula of Japan. We asked him how he figured out the location, and he wrote: “I’ve been a map fanatic since I was a kid…When I was an undergrad, I had a particular interest in Japanese geography and as a PhD student I spent years working with remote sensing and satellite imagery. My initial hunch was that it was the eastern coast of Japan, but it didn’t look like Tokyo. I guessed that it was the next bay south and verified my hunch by looking at the NASA earth at night imagery. The clincher was the airports which have a significantly higher brightness signature.”
Three other readers — James Titmas, Jyo Sano, and Yumiko Stettler — also correctly identified the Nagoya area. Thanks also to Justin Wilkinson, Will Stefanov, and the CEO unit at NASA Johnson, a team that has to catalog and identify the thousands of images that come down from the International Space Station every year.
Every month on Earth Matters, we offer a puzzling satellite image. The August 2014 puzzler is above. Your challenge is to use the comments section to tell us what part of the world we are looking at, when the image was acquired, what the image shows, and why the scene is interesting.
How to answer. Your answer can be a few words or several paragraphs. (Try to keep it shorter than 200 words). You might simply tell us what part of the world an image shows. Or you can dig deeper and explain what satellite and instrument produced the image, what spectral bands were used to create it, or what is compelling about some obscure speck in the far corner of an image. If you think something is interesting or noteworthy, tell us about it.
The prize. We can’t offer prize money, but, we can promise you credit and glory (well, maybe just credit). Roughly one week after a puzzler image appears on this blog, we will post an annotated and captioned version as our Image of the Day. In the credits, we’ll acknowledge the person who was first to correctly ID the image. We’ll also recognize people who offer the most interesting tidbits of information about the geological, meteorological, or human processes that have played a role in molding the landscape. Please include your preferred name or alias with your comment. If you work for or attend an institution that you want us to recognize, please mention that as well.
Recent winners. If you’ve won the puzzler in the last few months or work in geospatial imaging, please sit on your hands for at least a day to give others a chance to play.
Releasing Comments. Savvy readers have solved some of our puzzlers after only a few minutes or hours. To give more people a chance to play, we may wait between 24-48 hours before posting the answers we receive in the comment thread.
Since he rocketed to the International Space Station (ISS) on May 29, 2014, American astronaut Reid Wiseman has been enjoying the sights. He has built an active following on Twitter by sharing photographs of a world he is seeing from space for the first time. Like many first-timers in space, he is also discovering some curiosities that most of us never see from the ground.
Over four missions, astronaut Carl Walz logged 231 days in space. Before the launch of the International Space Station resupply Orb-2 mission from Wallops Island, Virginia, in July 2014, he described a few of views of Earth from space that he remembers best. Walz is now Vice President of Human Space Flight Operations at Orbital, a Virginia-based aerospace company.
“There was one rare, clear night that sticks out in my memory when I could see all the city lights along the Eastern Seaboard. I’ll never forget those lights. I could see New York, Philadelphia, Washington, all the way west to Chicago all at once. It was just all there…
…and there was absolutely nothing like flying over Las Vegas at night. You can actually see the colors of the lights. Most city lights are a kind of white light that’s a bit diffuse. Then there’s Las Vegas. It’s this bright spot out in the middle of the desert just staring you in the face…
…And the storms. We didn’t see any hurricanes because we were flying in the winter and springtime in the Northern Hemisphere, but we did see our share of thunderstorms. Remember, you’re looking at the thunderstorms from the top down. You can’t see lightning directly, but you can see these incredible flashes illuminating the clouds…
…Oh, of course, we’d sometimes see shooting stars. From that perspective, it was simply jaw-dropping.”